Urban art installations and murals can challenge authority and subvert establishment, or just decorate a bleak concrete landscape. Sometimes, they can earn their creators wealth and fame. But the most compelling works show us a new way of seeing the world around us. They make us ask questions about our environment and our role in it.
We’ve covered the reverse graffiti trend, which seeks to build a conversation about the urban disconnect (and land a few ad jobs in the process). Today, I want to show you another vision of eco street art: the work Edina Tokodi.
Born in Hungary and now based in Brooklyn, Tokodi brightens the streets of Williamsburg with living moss murals. Check it:
According to Tokodi’s web site,
Her site-specific installations are inspired by Japanese Zen gardens and informed by the space’s environs, whether organic or man-made. Often sheathed in steel, glass, pavement and stone, the installations provide an unavoidable contrast to their surroundings. It is within this contrasting atmosphere, that her installations invite interaction, thus reclaiming the human bond with nature.
Tokodi is the founder Mosstika, “a NYC based collective of eco-minded street artists, using guerrilla tactics to evoke the call of man back to nature.” By bringing nature into the urban experience, the moss art leads us to wonder, What if this were not concrete and bricks, but trees and grass? How would that change things?
Just as intriguing are Tokodi’s living portraits–intricate designs made entirely from succulents. Like Impressionist paintings, the patterns seem somewhat abstract up close; at a distance, they come together to form a clear image. Squint and you can almost imagine you’re looking at a photograph.
At its best, a stenciled mural is inherently superficial. Even when designed to show depth, it’s still just a wall with paint on it. Tokodi’s pieces, on the other hand, are part of the physical environment, not just decoration. They are meant to be touched.
You can see more of Edina Tokodi’s green graffiti at Mosstika.com, or on the Behance Network. And, as always, I’m interested to hear what you think about “living” art and the role of street art in our society. Can urban murals go further than expression and affect culture more deeply? How might green art translate to green activism?
[Images: Mosstika on Behance]